I am lucky to be friends with an Irish resident of DC, Andrew Clarke, whose beautiful cottage on the family farm in County Roscommon we visited two summers ago. We met his mum, who still lives in the farm house that has been in the Clarke family for generations, his brother Charles, who still raises cattle there, and on two other occasions now I have met Andrew's sister Jane, who is a an acclaimed poet!
Most recently I attended a reading here in DC on Monday evening; one of her 2019 books is WHEN THE TREE FALLS (Bloodaxe Books). It includes many poems sited at the same family farm that we visited and mainly addresses the long decline of Andrew and Jane's father, but a poem that really struck me at the reading is the one titled "Polling Station [May 25th, 2018]." Some of you may know that on that date, the Irish people voted--rather breathtakingly:
That’s it then: as those two shock exit polls predicted last night, by a margin of 66.4% for yes to 33.6% for no and on a record turnout of 64.51%, Ireland has voted to repeal the eighth amendment of its constitution, which since 1983 has effectively prohibited abortion in all bar exceptional circumstances.
Here’s is Guardian Ireland correspondent Henry McDonald’s full story on the events of a historic day, what led up to them, and what they might mean.
Here is Harriet Sherwood’s explanation of what will happen to Ireland’s abortion legislation now, and how the government’s planned new regime compares with the rest of the world.
Here's the poem:
Polling Station | Jane Clarke
May 25th 2018
In the queue up to the door of the schoolhouse
neighbours welcome sunshine after the wettest
of wet winters; spirits lift at the sight of fields
drying out, grass thickening, calves thriving,
unstoppable growth. There's talk of young ones
speeding home to vote, swallows back to the barn.
No one asks anyone where they'll place their X--
every family has stories, left like ploughs
and harrows among thistles behind the sheds.
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Wow--do I admire this poem. Rooted in the shared natural rhythms and routines of farm life, Jane deftly, deeply conveys the powerful emotion of this referendum for Ireland's women (and the men who also voted), and the way that public policy can be quietly, momentously changed by very private stories.
I love the extended metaphor, of the wet winter giving way to grass thickening, unstoppable growth, swallows back to the barn, of great and ordinary change. But the soaring moment here is the lowdown gut punch of the last two lines:
"every family has stories, left like ploughs
and harrows among thistles behind the sheds."
What a simple simile in the first line, which then turns, with the addition of harrows left among the gorgeous, thorny pink-purple thistles, out of sight behind the outbuildings, to hulkingly painful, prickly secrets, shames, sadnesses. What can I take from this mentor text?
**************************
Lyft Driver
October 11, 2019
He's bearded, black, a little older than I,
gracious. Reminds me of Barack, somehow.
He's wearing earbuds--doesn't need, like
some of them do, to chat. And at the end
of a long week, I don't think I need to chat either.
Except--"I'm going to an extraordinary event," I say.
William takes out his earbuds, finds me in
the rear view mirror. "What kind?" he says.
"It's a celebration of the investiture of a friend,
after years of waiting, as an immigration judge.
And it's extra special because my friend is a
cigar-smoking Cuban immigrant butch lesbian
little person. Her approval as a judge feels like
a move forward at a time when most things feel
like they're moving backwards."
My driver turns off the main road towards downtown,
heads into a neighborhood I've never driven through.
Will this detour make me late, or does he know
where he's going?
He says, "Well, I've been black my whole life,
and to me this moment doesn't feel so terribly
backwards. It only feels that way to people
who thought everything was going fine before."
I roll down my window for more fresh air.
I have no idea where we are, but William's
navigation app--full of redlined traffic jams
we can't really avoid--shows what time
we'll arrive: just a little later than we hoped.
flashdraft ©Heidi Mordhorst 2019
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You can tell it's a flashdraft because it's way longer than Jane's poem, which means it needs way more work. I'm a little sad it's not a big nature metaphor because, you know, NATURE. But occasional Friday evening Lyft rides to downtown (so we can take the Metro home together) are part of the rhythm and routine of my real city life. Thanks to Jane for the inspiration, and thanks to Linda for the challenge. You can find the rest of the Sunday Poetry Swaggers' work here:
Molly Hogan @ Nix the Comfort Zone
Linda Mitchell @ A Word Edgewise
Margaret Simon @ Reflections on the Teche
And our host today is Tabatha at The Opposite of Indifference, who reminds us that indeed, spending a lot of time with people who challenge and inspire you will change your life! (Or even a little time, in a Lyft.)
