Showing posts with label poetry teaching. Show all posts
Showing posts with label poetry teaching. Show all posts

Friday, December 11, 2020

poetry friday arrives in PreK

I know, I know...you will exclaim, "What do you mean, Poetry Friday is only just arriving in PreK?!"  But, as the youth say, hear me out.

At most, a PreK student with perfect attendance has now spent a total of 44 days x 2.25 hours + 14 days x 1 hour (our Wednesdays are different) = 113 hours in school, of which .5h daily is free play time away from the screen and .2h daily is their time with specialists, leaving me 82.2 hours of instructional time.  

Wow.  That calculation is shocking even to me.  And let's not forget that every minute of that time has been spent on-screen.

OF COURSE we have read and said and sung texts that are poetic.  But just when the older kids are getting antsy and ready for a big long winter break, my littles--most of whom have never been in a group situation; many of whom arrived expert in Spanish or Amharic or Arabic but are beginners in English--are finally getting the hang of the routine, have learned their classmates' names, know what to expect from school. 

During this initial period my paraeducator and I have worked hard to make the most of our scant time, to make our days predictable for both families and children (while going graciously with the flow, of course).  The concept of "story" is familiar to everyone; the concept of "poem" not so much.  So it's only in the last couple of weeks that I have begun labeling texts as poems, and only last week that I attempted to introduce a text as poem.  It didn't go well because I didn't plan carefully, although the poem I chose was a fine one ("Crayon Poem" by James Carter).  I learned superfast that it made a huge difference not to be in the room with the children to do my patented introduction of what a poem is and how to get ready for it to "work."  It made a big difference that there was nothing graphic to look at on the screen, although I showed them the text.  At this age the poem arrives mostly through the sharer's FACE AND BODY, not through words on a page, no matter how colorful.

So this week, with my AM student Bella's interest in tigers to inspire me (this month we are doing mini student-led studies), I am getting very 2D-concrete and presenting the concept of POEM on our first-ever named POETRY FRIDAY using a POEM which I have composed. (By 1:00 when the PM Class signs onto Zoom I will also have one for Monserrath about unicorns.)  It will follow a shared reading of the Tigers article on PebbleGo.  Here are the inevitable Google Slides.




[Friday afternoon edit: Bella was absent.😆] Now I can use this presentation to add a slide for each Friday's poem (not all by me, certainly, but to get started it helps that I can match my own composition to what I know will be accessible--with just the right amount of stretch--to my actual 4- and 5-year-olds).  And then when I want to, I'll be able to print a booklet for each child to give out at our monthly materials distribution, where we actually get to see the children in person for 5 minutes. (Not gonna lie: I love it and it breaks my heart every month.)

Go here if you want a copy of this template.  Have a concrete Poetry Friday with any young ones you are working to inoculate with the entirely beneficial poetry virus, and a Merry Holiday Tiger to you!

The roundup today is with Buffy Silverman, where she interviews the NCTE Excellence in Poetry for Children Award winner JANET WONG!  I'm proud of my participation in this choice for teachers and students and all poetry lovers.

BONUS VIDEO ðŸ˜Š






Thursday, July 19, 2018

POETRY FRIDAY ROUNDUP & PoFo Summer Poetry Teachers Institute

Welcome to all!  I'm pleased to host this week's Poetry Friday Round-up (go here for full details thanks to Renee LaTulippe if you're new) and to make good on my promise to report from my pretty glorious last week in Chicago at the Summer Poetry Teachers' Institute.  You'll also find links to all the other cool poetry posts around the web down at the bottom.

I can't remember how I discovered this institute, which is offered free of charge and includes accommodation at the conveniently located but very dorm-like dorms of the University of Illinois at Chicago.  There was a short application form to complete back in April, and then I was notified of my acceptance--it was that simple.  It's unclear to me if there were folks who applied and were NOT accepted, but the Institute, which has sections for Elementary, Middle & High School, and Community College teachers, served about 80 people (very unsure of that number) of whom 20 were in my nicely diverse PK-5 group.

If I sound like I'm selling this program, I am.  You'll see from the schedule below how varied the sessions were and how practically useful the outcomes were at a number of levels, and how time was allocated for processing as well as rest, tourism or home life, according to preference!


We began and ended the week all together with Carol Jago, familiar to me from NCTE--a true teacher leader.  There wasn't a lot of difference between the "seminars" and "workshops"--they were all excellent presentations that often included opportunities to write for ourselves or to plan for our classroom practice; there were handouts and modeling, and in several cases, the gift of books!  We all received a book collection from the Poetry Foundation which included an Engle book, The Flying Girl, and Ted Scheu gave each of us a signed copy of his Someday I'll Be a Teacher. 

The range of the presentation content was wide, and if I have any tiny criticism, it was that some presenters seemed unaware that we were not a wide general audience of teachers, but mostly quite devoted to and experienced with poetry--and in addition most of us were poets ourselves.  Thus a couple of the presentations came in at a rather basic level--and still we managed to glean plenty from each of them!  Details from each presentation may be added throughout the day here, but I can identify the single best line of the week:

POETRY IS ART CLASS WITH WORDS.

This came from Beth Sampson, who runs Hands On Stanzas, a Chicago poetry-in-the-schools project.  She outlined the first five lessons which this organization's poets do in classrooms, and thereby all my best practices as a poetry teacher became a newly organized, explicit, intentional approach with structure and labels!  Concept #1 for kids (and perhaps teachers) with little familiarity of "what poetry is" uses children's experience of art class--a special subject carried out by a specialist teacher in a different room in most districts--to "do a lot really fast."  By comparing the variety of materials, processes, and products that constitute ART, this definition clarifies the broad range of writings that can be poems, the endless ways that words can be used to create them, and the idea that we are using words in different and special ways when we make poetry than when we do other kinds of language work, especially in school settings.

I love, love, love this genius little metaphor (*forehead slap* why didn't I think of it myself?) and honestly, its powerful efficiency is going to change how I approach poetry in my 2nd grade classroom this year.  Usually we begin with a period of input, analogous to the silent/receptive stage of second language learning, because I never know what kind of poetry experience my students will be coming in with.  I wait until around December before I ask kids to Write a Poem, when they've had weeks of exposure to many different forms and a lot of my passion and excitement.  (I also certainly don't discourage them if they think of doing so on their own!)

Being able to "draw on" their shared experience of Art with our seriously excellent art teacher, Leela Payne, will make that leap to writing work nearer to the beginning of the year.  I can't wait!  The other transformative concept from Hands On Stanzas is one that I carry with me as an implicit assumption--that all kids are poets. WE know that, but often they don't know that, so it's important that we let them know that just as in art class, they all come with all the creative tools they need to be successful.  They'll just be applying them in new ways. Do all kids come to art with excellent scissor skills?  No, so we model and teach and share techniques and they get better at cutting--but 99 times out of 100 they know WHAT they want to cut and what color it should be.

Here are some photos from the week, many taken by our Chicago Public School facilitator Shamika Keepers.


We were asked to bring one indispensable resource. I couldn't get it down to one!




from Carol Jago's opening remarks
Looking at how we could use some of the books provided by the PoFo...


Notes from Margarita's presentation
We had time to explore the glorious Poetry Foundation Library.  I recognized a friend!




The many breakout sessions on the schedule were for self-selected groups to work collaboratively on poetry projects for the classroom.   We were encouraged to make maximum use of the Poetry Foundation's website, and the culmination of the week was a Curriculum Fair at which we displayed our concepts Science Fair-style. Here were some of my favorites--not all from the Elementary section, either!



A middle school idea which I loved--and I was so happy to introduce the group to Valerie Worth's small poems!

This was our group's project, designed to work up or down PK-5.  That's my fab new friend Chii.  See my Metaphor Dice?


I'll leave you with a poem I wrote during Eric Elshtain's session, in which we worked on "the rearrangement of past perceptions to create new realities" using the logic of the senses.  He said, "All knowledge and all art begins and ends with the senses."  We imagined that we had met a cloud of our favorite color on the street and taken a handful...

<poem>

So, there is a good some of it, but not the sum of it!  If you are a teacher, do apply for next year, and maybe I'll see you there, since repeat offenders are welcome.

And now....the Round-Up!  Please leave your links in the comments and I will line them up old-school throughout the day.  Thanks for joining us today!

Bedtime Stories

Linda Number 1 is sharing a jam sandwich at A Word Edgewise.

Linda Number 2 has popsicles--four flavors--at Write Time.  Now, who has the main course?

Alan has fighting words for beating the blank page at Poetry Pizzazz.

Sally is dealing with a very very very challenging misfortune:  Too Many Books.

Diane is in with an original called "Pictures of Liberty" over at Random Noodling. 
And at Kurious Kitty you'll find two anniversary poems by Douglas Florian.

Tabatha has a found poem from The Hare with Amber Eyes, to which she refers like everybody knows The Hare with Amber Eyes. 😉  Read this beautiful object at The Opposite of Indifference.

Matt will be cooling us down with an original called "Summer Frost" at Radio, Rhythm and Rhyme.

Laura Number 1 would like to warn you that her post includes a powerful response to the Parkland HS shootings by Tim Singleton.  You will also find a link to her stop on the blog tour for Margaret Simon's Bayou Song.

Laura Number 2 has been sharing her entries for the March Madness Poetry Tournament and concludes today with her last, "Spurious Sayings."  Find it at Writing the World for Children.

Our friend at Books4Learning has a very thorough an enticing review of Javaka Steptoe's anthology In Daddy's Arms I Am Tall.

Michelle Kogan celebrates butterflies and bees in art and writing over at More Art 4 All.

Rebecca lets us enjoy her Summer Poem Swap from Irene about "creepy lakes." I will soon be swimming my curious self over to Sloth Reads to find out what that's about!

Jone is introducing a new haiku anthology at Deowriter that includes some of her work.  Congratulations, Jone!

Fats at Gathering Books is highlighting the work of a young Instagram poet, Caroline Kaufman.

Early Birdsong

Mary Lee reports on a miracle she witness this morning at A Year of Reading.

There's more about lakes--not all creepy--with Irene at Live Your Poem.

Ruth is sharing poems for travelers at There Is No Such Thing As a God-Forsaken  Town.  I love airports too, as last week's travels reminded me.

Lunchbox Letters

Little Willow reminds us to keep dancing over at Bildungsroman.

Tara is sharing some Mary Oliver today at Going to Walden.

Catherine has poems commemorating the 49th anniversary of the moon walk at Reading to the Core.

Afternoon Authors

At the Mistakes Anthology blog Tabatha has a poem by Michelle Kogan to share.

Margaret has a review of Marilyn Singer's new book and a writing prompt to share at Reflections on the Teche.

Mandy is following a question this week about disappearing parsley at her blog Enjoy and Embrace Writing.

Evening Entries

Carol is looking at Long Island through the eyes of Emma Lazarus at Beyond Literacy Links.

And now, a flash poem:  Molly Hogan's hollyhocks.  The End. 😀   Read about them at Nix the Comfort Zone.

Christie has also been away at Cornell's BirdSleuth educator retreat! She has hungry herons at Wondering and Wandering.

And, to close out the weekend's reading, Sylvia brings a report on her presentation about pets and reading from ILA at Poetry for Children.


Thursday, May 10, 2018

a little slice of earth: free verse poems by 2nd graders


No fancy introduction today;  just the glory of sensory poems
inspired by one "little slice of earth," composed by 7-8's!



the clover
      by Caleb

three leaves
smooth stem
clover blowing
in the wind
very fragile



purple flower
   by Eldana

purple bulbs
light scent
lemon orange
very peaceful
smooth and
hairie  soft
and greenie!



 
Black cracked stick     
                  by Eric

Its smooth wood
makes me slow
like a sloth, I hear
nothing. it’s peaceful like
a mouse.  all I smell 
is grassy dust.  that’s right.

 


clover
   by Max

clover   round    3
circles   soft   green
hole

  



plant 
    by Ines

green like
a pillow
long and
skinny
smells like
strawberries
a little blue
very good
for me!


purple poem
   by Xavier

a smooth stem
and
green and brown
quiet
air   purple flowers
green
leaves   the colors
                                are
                                green and purple

A Different Stick 
      by Patrick 
 
Browny
Broken
Dusty
Jagged
Grassy
Pointy
Cracked
    looks like 
         bamboo



dandelion 
    by Sophia

A hairy soft
dandelion
smells like
raspberries
looks like a lion
from the top.
Root is smooth and
smells like a soggy
wet dog!



Rocky Mountain
       by Elena

Gray and sparkly
rough and
bumpy     nothing
but  blank!
It’s just a thing
peaceful and quiet
Nothing to be
                                 heard but something
                                 to seek



 clover
     by Kathy

bright clover
light green
silent and fuzzy
smells vegetabley and
      cucumbery




Beautiful purple flower
    by Tyler

Purple flower smooth and
U purple flowe
R. green smooth leaves
Purple leaves smooth & soft
Like dog’s fur.

Elegant purple flower

  

Two Rocks
by Ziva

Piece by piece broken
and clean slowly chipping
away.  Clanking four
sounds, bink, chip, clip and pip. 
              white and light gray 
   building  together 
look like waves from an 
ocean’s weather.


 dandelion
       by Henry

fluffy dandelion
           white
       and green
           smells
       like vanilla
           and
      gasoline its
fluff is like
a lion’s mane
soft like fur



purple flowers
     by Arya

purpleflowers greenleaves wildbreeze

roots   leaves     slowly growing

wind  blowing    roots  growing

rain    pouring    sun  growing  
 





And there you have it!  I guess it's hard to bemoan my own slow pace of writing when I'm busy helping this happen.  Jama is helping us happen today by rounding up at Jama's Alphabet Soup.  See you there!
***************
MORNING ADDENDUM!  I forgot while wrangling all these poems and photos that my TLD Anthology Poem "A History of Your Voice" is featured at Michelle Kogan's Mother's Day blog post!  Please enjoy it, and a beach-day photo of me and my dear, delightful mother HERE!  In fact I will be with my mother and father this weekend helping them get ready for a move nearer to us--hooray!--and so my comments will be scarce, I'm afraid.  But thank you for yours!