I went back to see whether my first-days-of-school post last year expressed any of the even-keeled matter-of-fact even-slightly-boredness that I'm feeling during this year's preservice week, and the answer surprised me. At this time last year my blog makes NO MENTION OF THE START OF SCHOOL. I, who have lived for the excitement and possibility of the new year since, well, 1968, have been rather unmoved by it for two years now. I'm shocked.
But honestly, this year feels different even than last. This year I'm very aware that the fresh new folders and the fussing over my first-day script and our new schedule's opportunity to be faithful with #PoemADay are all just routine--they're what I've done every year for 30 years. This year I'm very aware that the big excitement doesn't come until the kids walk in. The true fresh newness is the living breathing being of the collective class: how will I welcome each and every child as she or he is, and help them turn that welcome around and beam it on to their classmates? [This little light of mine--I'm gonna let it shine...]
This is not achieved by standing at the copier prepping days' worth of paper, by fancying up the decor, by micromanaging my slot on the library check-out schedule (the one of those three things that I have done this week and which I now see was unnecessary).
Being prepared, creating a comfortable environment, providing for a workable timetable--all these help, but none of them are the real work of a teacher in these days, in this moment. The real work is, as it has always been, interpersonal, emotional, the work of commitment to the balance of liberty and justice for all in the deep formative experience of 2nd grade, any grade. That looks different in American classrooms now, is always changing, but has reached a tipping point, as the pundits say.
So here's an appropriate little back-to-school poem, friends. Labor over this at the weekend, and have a great new year of school.
Declaration of Interdependence | Janet Wong
We hold these truths
to be not-so-self-evident--
but think about them a while
and you might agree:
all men are created equal-
ly a puzzle, made up
of so many parts;
and each of us makes up part
of the greater puzzle
that is our nation.
Lose one piece
and the picture is incomplete.
What happens when
too many pieces,
one by one,
become lost?
Life, Liberty, and the Pursuit
of Happiness: let's do our best
to find the pieces that fit together,
to make our picture whole.
from Declaration of Interdependence, presciently 2012
by Janet Wong
Thanks to Robyn over at Life on the Deckle Edge for hosting Poetry Friday today. March on over and see where you fit in the greater puzzle.
Showing posts with label Janet Wong. Show all posts
Showing posts with label Janet Wong. Show all posts
Friday, August 31, 2018
Friday, March 9, 2018
breath
When I first thought of trying to get a poetry book published, I began "studying the market" and found a striking and glorious book on the shelf in my local library. It was Janet Wong's Night Garden: Poems from the World of Dreams, illustrated by Julie Paschkis, newly out in 2000. This seemed to me the perfect marriage of words and art, but more importantly, it was the perfect use of poetry:
to faithfully
unpredictably capture
the unreasonable
undisciplined
musings
of the mind.
I have since come to better understand the many "uses" of poetry, especially in the classroom, which go far beyond pure intrigue and enjoyment. And, in the way of anyone who has practiced a craft for many years, I understand better now how much faith and flexibility, reason and discipline can go into the making of a poem that seems like a spontaneous flow or burst of the subconscious.
Unpredictable segue to Room 203, fall 2018: second-graders arrive from the tumult of recess followed by the Seventh Circle of Hell (aka lunch in the cafeteria). We settle into our circle on the carpet and the Afternoon Leader selects a Mindful Breathing Exercise. They are simple and brief, 3-5 breaths, and have names like Up and Down, Balloon Pop and Breathing Buddies. But they serve to regather and recenter us to the purposes of the classroom.
But now it is late winter, and the Great Second-Grade Shift has begun: we're bigger in our bodies and MUCH bigger in our brains; we no longer care so much what the teacher thinks and are MUCH more interested in what our peers are saying, doing, judging, inventing, choosing. We are able to comprehend and appreciate the two points of view in a genius poem called "In the Hood" by Marilyn Singer, but often the Big Bad Wolf gets carried away...
It's time for some bigger breathing called YOGA. Our simple Mountain Pose and Warrior Pose breathing exercises become part of a longer yoga routine like this one led by Leslie Fightmaster.
And I get out a book called Twist: Yoga Poems, also by Janet S. Wong and Julie Paschkis, and we begin with
Breath | Janet Wong

Breath is a broom
sweeping your insides.
Smooth and slow:
You pull scattered bits of dream fluff
and heart dust into neat piles.
Short and quick:
You coax shards of broken thoughts
out of forgotten corners.
Breath is a broom
sweeping you fresh.
****************************************
Burst or flow of subconscious, crafted into a language object of gorgeous usefulness. Thank you, Janet--and Julie, will you illustrate my next book, please? It'll be a while; full-time teaching is ever so distracting.
But in the meantime I get a poem or two out into the world by other means...I'm thrilled to announce that two forthcoming anthologies carry my poems--as different in feel as you can imagine. The books are The Poetry of US, another National Geographic anthology edited by J. Patrick Lewis, and Imperfect: Poems About Mistakes, edited by Tabatha Yeatts.
The round-up today is with Michelle at Today's Little Ditty--can't wait to see what's breathing over there!
to faithfully
unpredictably capture
the unreasonable
undisciplined
musings
of the mind.
I have since come to better understand the many "uses" of poetry, especially in the classroom, which go far beyond pure intrigue and enjoyment. And, in the way of anyone who has practiced a craft for many years, I understand better now how much faith and flexibility, reason and discipline can go into the making of a poem that seems like a spontaneous flow or burst of the subconscious.
Unpredictable segue to Room 203, fall 2018: second-graders arrive from the tumult of recess followed by the Seventh Circle of Hell (aka lunch in the cafeteria). We settle into our circle on the carpet and the Afternoon Leader selects a Mindful Breathing Exercise. They are simple and brief, 3-5 breaths, and have names like Up and Down, Balloon Pop and Breathing Buddies. But they serve to regather and recenter us to the purposes of the classroom.
But now it is late winter, and the Great Second-Grade Shift has begun: we're bigger in our bodies and MUCH bigger in our brains; we no longer care so much what the teacher thinks and are MUCH more interested in what our peers are saying, doing, judging, inventing, choosing. We are able to comprehend and appreciate the two points of view in a genius poem called "In the Hood" by Marilyn Singer, but often the Big Bad Wolf gets carried away...
It's time for some bigger breathing called YOGA. Our simple Mountain Pose and Warrior Pose breathing exercises become part of a longer yoga routine like this one led by Leslie Fightmaster.
And I get out a book called Twist: Yoga Poems, also by Janet S. Wong and Julie Paschkis, and we begin with
Breath | Janet Wong
Breath is a broom
sweeping your insides.
Smooth and slow:
You pull scattered bits of dream fluff
and heart dust into neat piles.
Short and quick:
You coax shards of broken thoughts
out of forgotten corners.
Breath is a broom
sweeping you fresh.
****************************************
Burst or flow of subconscious, crafted into a language object of gorgeous usefulness. Thank you, Janet--and Julie, will you illustrate my next book, please? It'll be a while; full-time teaching is ever so distracting.
But in the meantime I get a poem or two out into the world by other means...I'm thrilled to announce that two forthcoming anthologies carry my poems--as different in feel as you can imagine. The books are The Poetry of US, another National Geographic anthology edited by J. Patrick Lewis, and Imperfect: Poems About Mistakes, edited by Tabatha Yeatts.
The round-up today is with Michelle at Today's Little Ditty--can't wait to see what's breathing over there!
Friday, November 14, 2014
Poetry Friday & NCTE
The time draws near and I'm getting excited...the NCTE Annual Convention begins next Thursday, November 20! I'm looking forward, as I do every year, to spending some time surrounded by fellow teachers who are passionate about English language and literature teaching. It's also the time of year when I get to hang out in person with the blogging poets and teachers whom I "see" each Friday right here in the virtual Poetry Friday community. Click here to find out more about the six-year-old Poetry Friday tradition.
Out of these steadily inspiring virtual relationships has come a great gift to teachers--the Poetry Friday Anthologies, created and compiled by two champions of children's poetry, professor and cheerleader Sylvia Vardell and poet and community organizer Janet Wong. Their mission to support teachers in bringing more poetry into classrooms began with an e-book--Poetry Tag Time--a concept which I am proud to have been a little helpful in developing.
There are now three Poetry Friday Anthologies--one for K-5, one for middle school, and most recently one for science. Over the last few weeks I've been highlighting science poetry by "classic" poets, but The Poetry Friday Anthology for Science is a catalog of the best poets currently writing for children, all in one place, supporting teachers as they attempt to do Too Much All at Once.
I'm a classroom teacher. I know what our curricula look like. Someone in our central office (or several someones) puts together a ginormous pile of standards, indicators, lessons and resources in an effort to help us classroom professionals offer our students a rich and "rigorous" curriculum. (Personally I prefer a rich and vigorous curriculum; somehow "rigor" always make me think of dead bodies, stiff and cold.) The effect is almost always an overwhelming feeling of dread as we look ahead each week to all that we are supposed to do and teach in our measly 6 hours per day with our students. The triage is bloody and there is only one solution: synergy.
We also call this "integrating the curriculum," but when your curriculum is delivered to you in several separate binders or individual webpages labeled Math, Reading, Writing, Science and Social Studies, it can be hard to remember that none of these "subjects" stands alone and separate--not in our adult minds, and certainly not the minds of elementary students. That's just not how people think and learn.syn·er·gy ˈsinərjē/ noun
the interaction or cooperation of two or more organizations, substances, or other agents to produce a combined effect greater than the sum of their separate effects
Synergy is the creation of a whole that is greater than the sum of its parts.
There is always a necessity to get down into the details of how to teach each little skill and concept, but if we let that approach run our days in the classroom, we rob our students of the chance to marvel at the beauty of the interdependent web of ideas, knowledge and indeed all existence.
So how do we successfully attempt Too Much All at Once? One way is to use poetry to address other curriculum areas. This will be the subject of the Children's Literature Assembly Master Class that I'll be helping to lead at this year's NCTE conference. My roundtable discussion will focus on ways to use poetry to teach science and vice versa--to synergize the elements of language, metaphor, curiosity, investigation, research and data into a whole that becomes a powerful tool for student engagement and learning. The Poetry Friday Anthology for Science takes us there with next to no effort (although we will need some courage, if we're not teachers who live entirely comfortably in the world of poetry).
Here's a shout-out to my colleagues at Rock View Elementary School in North Kensington, MD, some of whom will win copies of The PFA for Science in a raffle on Monday. I'll close with one of my personal favorites from this anthology, placed in the 1st grade section but accessible to elementary kids of all ages. It's by Mary Lee Hahn, my friend and fellow classroom teacher from Dublin, Ohio, who will also be presenting at the CLA Master Class next weekend. See how few words--well-chosen words!--you need to bring rhyme, rhythm, scientific concepts and higher-order thinking to your students?
The Lion and the House Cat || Mary Lee Hahn
different strength
different size
same chin
same eyes
different mane
different stride
same stretch
same pride
And below are a few snippets and excerpts from this wonder of a book, all taken from the Pomelo Books website. Go on and make your teaching life a little more efficient and a little more beautiful: commit to Poetry Friday (once a month? every other week? every Friday?) and get yourself one of these anthologies to help out.
Poetry Friday is hosted today by Keri at Keri Recommends. Enjoy!
Friday, August 17, 2012
Poetry Friday power-up!

Poems for the School Year
with Connections to the Common Core
compiled by Sylvia Vardell and Janet Wong
Pomelo Books 2012 -- official release date September 1
This supremely practical anthology, which will be available in both soft-cover book and e-book versions, is the latest feat of magic worked by that Daring Duo of Poetry, Sylvia Vardell and Janet Wong.
It contains 218 new poems by 75 of the best poets now writing for children, but unlike other quality anthologies of literary poetry, this one is organized with the busy classroom teacher in mind (and I should know). In other words, it's the best of educational and literary publishing all rolled into one lively package!
It includes 36 poems for each grade level K-5, which is one for each week of a standard 180-day school year. Even better, the poems have been organized according to broad themes that repeat for each grade level, so that in Week 1, all grade levels enjoy a "School" poem, in Week 18 every kid K-5 gets a "Human Body" poem, and in Week 29 there are poems about...poetry! There are heartfelt and serious poems under themes like "A Kinder Place" and "Families," and hootingly playful poems under "Stuff We Love" and "Nonsense." By the end of the school year, when kids have had lots of poetry experience, the themes are related to poetic devices such as "Metaphor and Simile" and "Personification," addressed at accessible levels.
For the few teachers who are truly poetry-phobic, this anthology is a gift. It says, "Take a few minutes just one day a week to make poetry your focus...we'll help you do it right, do it in community, and enjoy all the rewards!" To support the less confident, each poem comes with 5 quick tips for sharing, teaching, enjoying:
*a hook for introducing the poem,
*a developmentally appropriate way for students to join in reading and speaking the poem,
*ideas for discussion and teachable moments,
*and finally, a connection to another poem in the anthology or another poetry book to explore.
Of course, many more teachers will be doing as I'll do, dipping in here and there to select poems not by week but by theme, and looking beyond my own grade level to find other gems that I'll bring into our curriculum through content connections, writing and performance. I'll be highlighting some of my favorites in coming posts, and you can bet that those of us contributors who also participate in Poetry Friday in the Kidlitosphere will be sharing more tips and tricks and on their blogs, too!
Friday, August 5, 2011
p*tag you're it
After the rounds of poetry tag played at my Honesdale Highlights workshop, I didn't think a tag game would ever be quite so exciting again. But I was wrong: I have been invited to participate in the second poetry tag project coordinated by Sylvia Vardell and Janet Wong, champions for the dissemination of poetry for young people. Titled p*tag (you can play along here), it's the "first electronic-only anthology for teens" and will be illustrated with photos taken by Sylvia herself.
Even as I write I'm in the midst of the challenge: I have just been tagged by Stephanie Hemphill, an accomplished verse novelist. My mission is to a) immerse myself in a photo I selected from Sylvia's intriguing gallery, b) select three words from Stephanie's fine poem, and c) compose my own poem inspired by the photo using Stephanie's three words and an as-yet-undetermined number of my own. I have 24 hours in which to do this, and to write a piece that describes my process and how the resulting poem is linked to the photo and to Stephanie's.
Then I get to tag another of the 31 poets who are participating (with respect for who's on vacation this weekend and who's working!). The project will all be complete and available for download at an irresistible price by October. How cool IS this? I just hope I can pull off something worthy of the concept and of the first Poetry Tag Time volume, which was e-published in April.
So, back to Stephanie Hemphill. Her latest book is Wicked Girls, which I confess I thought might be another girls-telling-lies-and-being-mean-to-each-other-book despite its subtitle: A Novel of the Salem Witch Trials. I took up HarperTeen's offer to "browse inside" and found myself reading way past my bedtime with fascination and admiration. Here's a selection called "Caught."
Caught
Margaret Walcott, 17
Past the crooked evergreen
and the brook what lost its water,
on my way home from playing
games on who'll make me husband,
I cross Ipswich Road.
I rub my eyes. His two blue ones
be looking straight on me.
My pulse starts to gallop
like a steed. But today I trip not.
I track on up to him and say,
"Be you following me?"
His arms be thick enough
to lift the axe of three men.
Isaac's laughter shakes
through him so fierce
it scatters the snow off his boots.
"Yea, Margaret Walcott,
betwixt tending the stables,
staking out the fields
and bringing wares to town,
I be scouting all the time after you."
He raises one brow.
"But where hast thou been?"
The color splashes over me,
drenching me red. I hold up my buckets.
"Fetching water," I say.
"Thou are far from any stream
I know of," Isaac says,
and shakes his head.
His eyes catch on me
like he be holding lightly
my face with his hand.
"I must then be lost," I say,
and I pick up my bucket
and my skirts and trot off.
And do so quite a bit like a lady.
~ Stephanie Hemphill
from Wicked Girls, Harper 2011
Apart from the draw of the story itself, of the girl accusers of Salem's alleged witches, I am completely fascinated by the sound of American English at this early, early stage of our history--the syntax, the grammar, and not least the voices of these girls who find themselves, unlike most girls of the era, known in history rather than anonymous.
Check out what other worlds folks are dreaming today at A Year of Literacy Coaching with Libby. Happy Poetry Friday, and look out for p*tag!
Even as I write I'm in the midst of the challenge: I have just been tagged by Stephanie Hemphill, an accomplished verse novelist. My mission is to a) immerse myself in a photo I selected from Sylvia's intriguing gallery, b) select three words from Stephanie's fine poem, and c) compose my own poem inspired by the photo using Stephanie's three words and an as-yet-undetermined number of my own. I have 24 hours in which to do this, and to write a piece that describes my process and how the resulting poem is linked to the photo and to Stephanie's.
Then I get to tag another of the 31 poets who are participating (with respect for who's on vacation this weekend and who's working!). The project will all be complete and available for download at an irresistible price by October. How cool IS this? I just hope I can pull off something worthy of the concept and of the first Poetry Tag Time volume, which was e-published in April.
So, back to Stephanie Hemphill. Her latest book is Wicked Girls, which I confess I thought might be another girls-telling-lies-and-being-mean-to-each-other-book despite its subtitle: A Novel of the Salem Witch Trials. I took up HarperTeen's offer to "browse inside" and found myself reading way past my bedtime with fascination and admiration. Here's a selection called "Caught."
Caught
Margaret Walcott, 17
Past the crooked evergreen
and the brook what lost its water,
on my way home from playing
games on who'll make me husband,
I cross Ipswich Road.
I rub my eyes. His two blue ones
be looking straight on me.
My pulse starts to gallop
like a steed. But today I trip not.
I track on up to him and say,
"Be you following me?"
His arms be thick enough
to lift the axe of three men.
Isaac's laughter shakes
through him so fierce
it scatters the snow off his boots.
"Yea, Margaret Walcott,
betwixt tending the stables,
staking out the fields
and bringing wares to town,
I be scouting all the time after you."
He raises one brow.
"But where hast thou been?"
The color splashes over me,
drenching me red. I hold up my buckets.
"Fetching water," I say.
"Thou are far from any stream
I know of," Isaac says,
and shakes his head.
His eyes catch on me
like he be holding lightly
my face with his hand.
"I must then be lost," I say,
and I pick up my bucket
and my skirts and trot off.
And do so quite a bit like a lady.
~ Stephanie Hemphill
from Wicked Girls, Harper 2011
Apart from the draw of the story itself, of the girl accusers of Salem's alleged witches, I am completely fascinated by the sound of American English at this early, early stage of our history--the syntax, the grammar, and not least the voices of these girls who find themselves, unlike most girls of the era, known in history rather than anonymous.
Check out what other worlds folks are dreaming today at A Year of Literacy Coaching with Libby. Happy Poetry Friday, and look out for p*tag!
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